ENGLISH 400: MONSTER THEORY
Dylan Blowe
Research Paper Abstract
"Beowulf, Colonization, and Mythical Victims"
This paper will analyze Seamus Heaney’s translation of the story Beowulf and how Grendel and Grendel’s Dam serve as monstrous symbols of victimization of colonialism under King Hrothgar’s and his champion Beowulf’s reign. It is understood by readers that Grendel and Grendel’s Dam are damned creatures, portrayed as the ultimate outsiders. This is supported by their physical characteristics, and their anti-social behavior. This does not support their claim to the land they inhabit. However focusing primarily on Grendel and his Dam within the mere episode, readers discover Grendel’s family sword. Introducing this sword to readers serves as evidence of Grendel’s family lineage: it is described to have been made during the time giants roamed, suggesting a long-standing residency. It becomes clear that Grendel and his Dam inhabited the land long before Hrothgar’s reign.
Monsters are often utilized within literature as a catalyst to address complex issues within societies and cultures, and like in this case, they are turned into physically monstrous beings. The question that remains is, do Grendel’s and Grendel’s Dam with knowledge of the aforementioned serve as a catalyst of monstrous symbolism for those rebelling against colonization? I believe so, and in turn displays how easy it is for us to make monsters out of victims. Utilizing historical documents that place emphasis on Christianity’s expansion within the story, during the time it was written, and thinking about how Beowulf invades Grendel’s home and private space, assists us in better understanding that the colonization was not just political, but social, cultural, and religious. With this knowledge in mind, we can read Beowulf from the perspective of these creatures, and it alters our perspective. It also renders the actions taken by our acclaimed ‘hero’ Beowulf and King Hrothgar as villainous. This in turn changes our perception of Grendel’s and Grendel’s Dam’s perceived villainous actions, and shows us they are resisting colonization.
Capstone Presentation
"Charred Table, Food, and Murder"
I will be focusing on the story Greedy Chokepuppy written by Nalo Hopkinson making the claim that the grandmother within the story is guilty of murdering her late husband. Supporting this claim I will be placing emphasis on contextual clues, and hinting dialogue that suggests the grandmother is guilty of utilizing her capability. It is made known to the reader that the grandmother, her daughter, and granddaughter Jacky are all Soucouyant’s. A Caribbean version of a vampire, a creature that can remove its skin, turn into a ball of fire, and drain the life force out of its victims, leaving no evidence behind of murder taking place. It is known when the grandmother moved in with her daughter and granddaughter Jacky after the passing of her husband. In her possession was a table that displays a handprint burned into the wood. The handprint and how it got there is never explained, and is mentioned to not belong to the grandmother’s daughter nor her granddaughter Jacky, thus it could only belong to the her. A charred hand print only a Soucouyant could create… and in turn offers means to be suspicious.